主演：马修·莫迪恩,尼古拉斯·凯奇,约翰·哈金斯,凯伦·杨,布鲁诺·柯比
导演：艾伦·帕克
简介：伯迪（马修·莫迪恩 Matthew Modine 饰）是个从小活在幻想中的孩子，他一直向往鸟的生活，羡慕他们有翅膀可以飞翔，自己也兴致勃勃地动手制作翅膀，幻想有朝一日飞上天空。越战爆发打断少年美梦。战场上残忍的一幕幕让内心脆弱的伯迪受到极大刺激，终于失去理智，成为现实意义中的“精神病人”，被送进医院。在医院里，他从不说话，每天以鸟的姿态蹲着，以鸟的方式吃东西，在牢笼里望着一方小小的蓝天向往飞翔。为了治疗伯迪，医院找来他的儿时好友艾尔（尼古拉斯·凯奇 Nicolas Cage 饰），希望他能引导伯迪重新和人交流。艾尔用大量共同回忆开启伯迪的心智，也认识到对伯迪来说只有飞翔的梦想是永恒的……本片根据威廉 ·霍顿发表于1978年的小说改编而成，曾获戛纳电影节评委会大奖。
主演：中村吉右卫门,岛田正吾,梓英子,藤卷润,本乡功次郎,森雅之
导演：村山三男
简介：20世纪30年代，日本全民备战，社会从上到下充满了亢奋情绪。农村少年平田一郎（中村吉右卫门 饰）和好友本多（岛田正吾 饰）怀着一腔热情，报考了军校，结果平田考就江田岛海军学校，本多则进入陆军军校，两个好友就此分开。平田刚进入军校后还有些动摇，但经过四年学习和训练，成功成长为一名拥有“江田岛精神”的帝国海军精英。随着太平洋战争爆发，平田被派往前线，却经历了日军各种不利，也目睹老友本多战死。带着遗憾和愧疚回国养伤之后，平田回到母校担任教官，虽然战事低迷影响国人精神，但平田还是努力想把“江田岛精神”传递下去。随着战局恶化，老兵被召唤回冲绳战场，平田在学员整齐歌声送别之下，直赴最后为国捐躯的机会……
主演：罗内特·艾尔卡贝兹,摩西·伊夫吉,雅艾尔·阿贝卡西斯,Albert,Iluz,汉娜·拉斯洛,Rafi,Amzaleg,克伦·莫尔,阿隆·阿布布尔,Hana,Azoulay-Hasfari,西蒙·阿布卡瑞安,Evelin,Hagoel,Gil,Frank,Yechiel,Elkabetz,Ruby,Porat,Shoval,David,Ohayon
导演：罗内特·艾尔卡贝兹,施洛米·艾尔卡贝兹
简介：1991年，在以色列，一个犹太家庭的一个兄弟去世了，全家人来到死者的家里，在老母亲的带领下举丧7天。每个人都必须遵守犹太教的传统，不准吃肉、所有的镜子都必须遮盖起来、不能离开公用的厅堂……。在封闭的空间里，气氛很快变得非常沉闷。兄弟姐妹加上各自的配偶，日夜被迫互相忍受，抱怨和争吵不久就取代了哀悼，压抑多年的金钱争执、怨恨、尚未愈合的创伤重新浮上台面。本片以幽默和自嘲手法描述一个犹太家庭，今年5月曾在戛纳电影节“国际影评周”单元作为开幕片。
主演：埃迪·布莱肯,埃拉·雷恩斯,雷蒙德·沃伯恩,威廉·德马雷斯特,富兰克林·潘伯恩,伊丽莎白·帕特森,乔治娅·凯恩
导演：普莱斯顿·斯特奇斯
简介：Having been discharged from the Marines for a hayfever condition before ever seeing action, Woodrow Lafayette Pershing Truesmith (Eddie Bracken) delays the return to his hometown, feeling that he is a failure. While in a moment of melancholy, he meets up with a group of Marines who befriend him and encourage him to return home to his mother by fabricating a story that he was wounded in battle with honorable discharge. They make him wear a uniform complete with medals and is pushed by his new friends into accepting a Hero's welcome when he gets home where he is to be immortalized by a statue that he doesn't want, has songs written about his heroic battle stories, and ends up unwillingly running for mayor. Despite his best efforts to explain the truth, no one will listen.
主演：谢尔盖·邦达尔丘克,柳德米拉·萨维里耶娃,维亚切斯拉夫·吉洪诺夫,安娜斯塔西亚·维尔金斯卡娅,安东宁娜·舒拉诺娃,鲍里斯·扎哈瓦,阿纳托利·克托罗夫,奥列格·塔巴科夫,维克托·斯坦尼岑,伊琳娜·斯科布采娃,瓦西里·兰诺沃依,琪拉·戈洛夫科,伊琳娜·古巴诺娃,亚历山大·费·鲍里索夫,奥列格·叶甫列莫夫,朱利·乔霍涅利泽,弗拉季斯拉夫·斯特尔热利奇克,安格林娜·斯捷潘诺娃,尼古拉·特罗菲莫夫,尼古拉·雷布尼科夫,爱德华·马尔采维奇,叶莲娜·佳普金娜,诺娜·莫尔久科娃,彼得·萨温,谢苗·斯瓦申科,谢尔盖·尼科年
导演：谢尔盖·邦达尔丘克
简介：本片改编自俄国文豪托尔斯泰的同名作品《战争与和平》，围绕1812年俄国卫国战争为中心，以贵族小姐娜塔莎（柳德米拉·萨维里耶娃 Lyudmila Savelyeva饰）、贵族青年皮埃尔（谢尔盖·邦达尔丘克 Sergei Bondarchuk饰）和安德烈公爵（维亚切斯拉夫·吉洪诺夫 Vyacheslav Tikhonov饰）三人的情感故事为线索，反映了1805年至1820年的重大事件，展示了当时俄国社会的风貌。本部1968年前苏联版的《战争与和平》耗时五年完成，耗资高达5亿6000万美元，堪称影史上最昂贵的影片，在苏联电影史上有着举足轻重的地位。影片拍摄得到了苏联军方的大力协助，在世界影史上，本片成为动用临时演员最多的影片之一。这部长达六个半小时的宏伟巨制，以其宏大的场面和史诗般的镜头语言，完美地呈现了俄法战争时期俄罗斯大地广阔的历史画卷，也极其忠实地再现了托尔斯泰的长篇巨著。
主演：Tim,Thomerson,Timothy,Van,Patten,Art,LaFleur
导演：Danny,Bilson
简介：第二次世界大战的意大利战场上，一支美军巡逻队在森林中发现了一架失事的太空船，并且他们还遇到了外星人。在附近的纳粹德军也发现了外星人的踪迹，同时也派出了巡逻队想抢在美军之前捕获外星人···最经典的镜头是其中一个美国兵问其中一个外星人：你们星球上有没有金发美女？结果外星人指着另外一个毛茸茸的外星人回答：她就是！还有一幕：那群美军被俘获时注射了麻药，一个美军在迷迷忽忽是打了一个穿军大衣的矮子，结果那个矮子是来看外星人的希特勒！！哈哈，80后成长与90年代译制片时期的童鞋应该都有印象的
主演：菲利普·阿夫龙,Jirí,Sýkora,玛格达·瓦沙里奥娃
导演：朱拉·亚库比斯克
简介：导演其实在开篇的旁白里就已经说出了故事的结局，电影是一出悲剧。但却是以喜剧的形式讲述的。三名孤儿，安德列、尤里克与玛尔塔。其实都是成年人，但他们的行为却如孩子般天真。三人住在一所战争中被炸毁的教堂里。有趣的是，这所教堂竟然还有个房东，他也是个孤儿。胖胖的，可爱的老头， 贪吃、爱玩，喜欢弹钢琴。安德列与尤里克本是好友，但自从犹太女孩玛尔塔到来之后，他们的关系变得异常微妙。尤里克无缘由地被抓进监狱。一年出狱后，发现已经是物是人非。他们的将来会何去何从呢？片中的鸟儿，是指人死后灵魂的象征物；愚人，也可以说是“傻瓜”，是指那些在战争中失去理智的疯子或者被别人称为是有理性的那些人。剧中经常出现不合常理、超现实的人物、场景。
主演：肖恩·康纳利,哈里·安德鲁斯,伊安·邦纳,阿尔弗雷德·林奇,奥西·戴维斯,罗伊·金尼尔,杰克·沃森,伊恩·亨德里,迈克尔·雷德格瑞夫,诺曼·伯德,尼尔·麦卡锡,Howard,Goorney,托尼·康杰,Michael,Hawkins,James,Payne,Robert,Royal
导演：西德尼·吕美特
简介：此片讲述二次大战期间，在英军驻北非的军营里，一名残暴的指挥官为维持个人自尊而故意用非人的刑罚来惩戒违犯军规者，终于使一位不甘被其虐待的军人挺身而出与之对抗。导演悉尼．卢曼特以火爆性十足的手法来处理这个 “人与制度对抗"的故事，压力逼人而来，肖恩．康纳利在此演出了他的最高水准，是悉尼．卢曼特的名作之一。但本片拍得相当乾涩，娱乐性亦不算太强。
主演：黄轩,苗苗,钟楚曦,杨采钰,李晓峰,王天辰,王可如,隋源,张仁博,苏岩,张国立,赵立新
导演：冯小刚
简介：故事发生在上世纪七十年代，寄人篱下的少女何小萍（苗苗 饰）经过重重试炼终于加入了梦寐以求的文工团，哪知道这里和她曾经待过的那些地方并无不同，她依然得忍受遭人唾弃和欺侮的生活。唯一给过她温暖的，是刘峰（黄轩 饰），不仅仅是对何小萍，被称为“活雷锋”的刘峰把自己的爱情和温暖无私的奉献给每一个人。实际上，刘峰一直爱慕着美丽活泼的林丁丁（杨采钰 饰），当他选择将这份感情勇敢的表达出来时，却让自己的人生走向了完全不同的方向。战争开始了，刘峰、何小萍和萧穗子前赴后继的走上了前线，在枪弹和炮火之中，每一个人都在用生命和热血绽放着属于他们的芳华。
主演：布隆考·瓦莱斯卡,欧托门·科雷查,Viktor,Ocásek,兹登卡·巴尔多娃,爱德华·科胡特,扬·奥塔卡尔·马丁,约瑟夫·赫瓦利纳,Anna,Vanková,伊日·普拉希,萨沙·拉希洛夫,Jirí,Spirit,鲁道夫·戴尔,兹登卡·霍德尔
导演：阿尔佛雷德·雷铎
简介：二战结束后拍摄，但拍成之后被禁10年，终于在近年得以重见天日。捷克影史上 最重要的反映大屠杀的反战电影之一，导演阿尔佛雷德·雷铎（Alfred Radok）生长于战 争年代，他深受战争之苦，家庭因战争而破散，他自己也蹲过集中营。在二战结束之后拍 摄了这部反映纳粹对犹太人大屠杀的巨作，故事分三条线索，主线是布拉格一所医院里一 对医生夫妇因为反犹太政策而祸从天降，被送往集中营的故事。剧情片与纪录片相结合， 给观众最真切最贴近的战争体验。
主演：奥古斯特·迪赫,奥利维埃·古尔梅,玛蒂尔德·瑟妮,爱丽丝·伊萨,马修·瑞斯,贾克·鲍那非,克里斯朵夫·罗西尼翁,洛朗·杰拉,戈洛·欧拉,康斯坦丁·卢凯
导演：克里斯蒂安·卡里翁
简介：故事发生在1940年的法国，德国人的铁蹄踏破了笼罩在这片美丽土地上的宁静，位于加莱海峡省的一座小村庄内，村民们为了保命，决定离开他们赖以生存的家园。保罗（奥利弗•古尔迈Olivier Gourmet 饰）身为村长，自然肩负着引导村民们的重任，而她的妻子玛多（玛蒂尔德•塞尼耶Mathilde Seigner 饰）也用她独特的方式来带给村民们信心和希望。年轻的苏珊娜（爱丽丝•伊萨 Alice Isaaz 饰）并没有追随大部队，她带着8岁的德国男孩踏上了另一端旅程，他们要去寻找男孩的父亲汉斯（奧古斯特•迪赫August Diehl 饰），这个男人被冠以战犯之名投入了监狱。就在苏珊娜和男孩寻找汉斯的同时，汉斯也没有放弃过寻找儿子的希望。
主演：肖恩·宾,丹尼·戴尔,阿卡塞尔·亨涅,伊莎贝拉·米珂,詹姆斯·达西,威廉·休斯顿,John,Dagleish
导演：Adrian,Vitoria
简介：1940年5月，下士雷恩斯（丹尼·戴尔 Danny Dyer 饰）和他的三个战友在向敦刻尔克撤退的途中，被一名长官要求参与阻击德国军队，雷恩斯违抗命令，被关入军事监狱。在海军情报处，少校琼斯（肖恩·宾 Sean Bean 饰）接到一项高度机密的任务：当时德国的雷达技术领先于欧洲各国，遍布大西洋沿岸的雷达站形成了一张无形的网，琼斯受命组建一支特种部队，以破坏掉德国的接收站。琼斯在军事监狱中捞出了老部下莱林，并“顺路”带走了雷恩斯。在苏格兰的高地上，琼斯对雷恩斯等特战队员进行了严格的训练，此次任务只有一次机会，前期的不足就能导致满盘皆输的结局。特战队终于登陆挪威，并与当地游击队取得联系，最后的考验正式开始……
主演：Andrzej,Banaszewski,Beata,Barszczewska,马里乌什·德莫霍夫斯基
导演：斯坦尼斯拉夫·罗泽维格
简介：In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era.The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved.The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair.At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance?Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'."After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others.In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."
主演：徳重聡,窪塚洋介,宮下裕治,岸惠子,筒井道隆,前川泰之,中村友也,寺田農,勝野洋,渡辺大,木村昇,蓮ハルク,中越典子,石橋蓮司,古畑勝隆,戸田菜穂,多部未華子,江守徹
导演：新城卓
简介：1944年，第二次世界大战接近尾声，包括日本在内的轴心国在世界各地已成强弩之末。为了阻止美国等同盟国的军队在菲律宾登陆，日本方面采取极端的作战手段，海军中将大西泷治郎（伊武雅刀 饰）宣布组建神风特攻队向美国军舰发起疯狂的自杀式袭击。然而时不我予，成百上千年轻战士的生命也 无法挽回败局。1945年春，美军以菲律宾为跳板，准备向日本的军事要害冲绳发动攻击。适值此时，位于鹿儿岛的知览机场已经成为培养自杀式袭击人员的重要基地，包括坂东胜次（窪塚洋介 饰）、田端广一（筒井道隆 饰）在内的439名振武队年轻士兵在此集训。这群热血青年在基地度过人生中最后快乐、珍贵的时光……
主演：杰瑞米·西斯托,理查德·哈里斯,克里斯托弗·沃肯,瓦莱丽亚·戈利诺,克里斯·诺斯,妮可·吉玛多,托比亚斯·莫雷蒂,伊恩·邓肯,帕梅拉·博文,海诺·费尔希,莎姆艾拉·萨尔多,西恩·帕特维,凯特·史蒂文森-佩恩,保罗·布里古力亚
导演：乌利·埃德尔
简介：他的荣耀光芒万丈，他的爱意山高海深，性格强烈黑白分明的恺撒，也为自己树敌无数。这部恺撒大帝，由真正的史诗故事改编而成，伟大的历史人物，再次栩栩如生出现在观众眼前。年轻时的恺撒，不畏强权，征站无数，终于顺利征服罗马，称霸大帝。尽管缅怀亡妻，但恺撒在埃及，却遇到他生命中另外一名重要的女子，也就是埃及艳后克莉欧佩特拉，两人展开轰轰烈烈的情爱纠葛。但另一场阴谋；也正在罗马蔓延开来，罗马人视恺撒为血腥暴君，叛变肆君的情节于焉展开……
主演：Ladislav,Jánsky,Antonín,Kumbera,Irma,Bischofova,Ivan,Asic,August,Bischof,Josef,Koblizek,Josef,Koggel,Josef,Kubat,Rudolf,Lukásek,Bohumil,Moudry,Karel,Navratil,Evzen,Pichl,Frantisek,Procházka,Jan,Riha,Anton,Schich
导演：杨·涅梅茨
简介：杨·南曼奇在捷克新浪潮的地位，类似于雷奈在法国新浪潮一样。这是他的第一部剧情长片，描绘两个犹太男孩在被送往死亡集中营的途中，从火车上逃脱，被迫在乡野展开挣扎，艰难地求生存的故事，看似具备写实的基础，却被混合了幻想的影像，以及自由跳跃的叙事所重组。
主演：冈田准一,役所广司,有村架纯,平岳大,东出昌大,北村有起哉,伊藤步,中岛书,音尾琢真,松角洋平,和田正人,木村绿子,泷藤贤一,中越典子,坛蜜,西冈德马,松山研一,磨赤儿,春海四方,堀部圭亮,三浦诚己
导演：原田真人
简介：讲述日本战国时代末期发生的一场“决定天下”的战役，交战双方为德川家康领下的东军以及石田三成领导组成的西军。最终，在西军将领小早川秀秋叛变的情况下，这场战争在一天内即分出了胜负，德川家康取得了统治权，三年后成立德川幕府。
主演：伯特·兰卡斯特,克劳迪娅·卡汀娜,阿兰·德龙,保罗·斯托帕,里娜·莫雷莉
导演：卢基诺·维斯康蒂
简介：影片以1860年意大利的西西里岛为背景，通过萨里纳亲王这个中心人物的心路历程，反映出面对风起云涌崭新时代的到来，身处翻天覆地的社会变革的浩荡潮流当中，原有权贵和贵族因此而没落这一无奈而必然的命运。萨利纳亲王一家原本过着平静的生活。但随着局势的急剧变化，亲王的外甥唐克雷迪投奔正在西西里登陆的青年意大利党人加里波军队。返回故里，唐克雷迪对市长塞达拉的女儿安杰莉卡一见钟情，两人情投意合，不久便订婚了。塞达拉答应给女儿一份丰富的嫁妆，这样便挽救了萨利纳即将衰败的家族，而塞达拉也因能跟大贵族攀亲而沾沾自喜。此后，西西里岛进行了全民投票，结果一致赞成归并意大利。都灵派来了使者，邀请萨利纳作为名门贵族的代表，参加议会工作，但被萨利纳拒绝了。新政府没有给这个沉睡了两千多年的岛屿带来任何变化，特别是加里波在战败后，巴勒莫上流社会的生活又恢复了旧貌，贵族们频频举行舞会，庆幸劫后余生。
主演：Radek,Balcárek,Tereza,Blazková,马特乌什.道普莱亚斯基,Michaela,Ehrenstein,海诺·费尔希,Reinhard,Forcher,梅丽卡·弗鲁坦,埃丁·哈萨诺维奇,Simon,Hatzl,卡西姆·霍查,朱拉什·库库拉,于尔根·毛雷尔,埃尔温·施泰因豪尔,弗洛里安·特辛梅斯特,弗里德里希·冯·图恩
导演：Kurt,Mündl,安德烈亚斯·普罗查斯卡
简介：1914年6月28日上午9时正，奥匈帝国皇太子斐迪南大公参加指挥一次军事演习，演习结束后，塞尔维亚一个秘密组织成员，普林西普向斐迪南夫妇开枪射击，斐迪南夫妇毙命，普林西普被捕。这一事件被称为萨拉热窝事件，被认为是第一次世界大战的导火线。普费弗是一名检察官，他在全力调查这一刺杀事件的幕后主使，幻想阻止大战爆发，眼看真相渐渐清晰的时候，但是第一次世界大战已经迫在眉睫！
主演：德克·博加德,爱德华·福克斯,肖恩·康纳利,沃尔夫冈·普莱斯,保罗·马克斯韦尔,瑞安·奥尼尔,吉恩·哈克曼,杰拉尔·德西姆,哈特穆特·贝克尔,杰瑞米·坎普,唐纳德·皮克林,史蒂芬·摩尔,迈克尔·凯恩,迈克尔·伯恩,安东尼·霍普金斯,尼古拉斯·坎贝尔,詹姆斯·肯恩,科林·法雷尔,艾伦·阿姆斯特朗,勒克斯·范·德尔登,马克西米连·谢尔,哈迪·克鲁格,西恩·马提亚斯,丽芙·乌曼,埃利奥特·古尔德,Michael,Wolf,Tim,Beekman,Tom,van,Beek,Bertus,Botterman,Hen
导演：理查德·阿滕伯勒
简介：欧战尾声，盟军上下逐渐弥漫着乐观的情绪。为了提前结束战争，各地盟军将领认为只要一番猛攻，便可提早直捣柏林结束战争。于是轻率地将大批伞兵空投在德军营地背后，去攻占阿纳姆的那座横跨莱茵河的大桥。不料遭遇德军的顽强抵抗，盟军付出了伤亡惨重的代价。这场堪称二战中最具戏剧性的战役，终以盟军的惨痛失败而告终。由奥斯卡金像奖得奖导演理查德·阿滕伯勒执导的战争巨片《遥远的桥》，根据科尼利厄斯·瑞恩的同名小说改编而成。影片表现和讴歌了盟军在二战中浴血奋战的斗争精神，被誉为电影史上的超级战争巨片。本片的明星阵容空前强大，聚集了诸如詹姆斯·卡恩、迈克尔·凯恩、肖恩·康纳利、罗伯特·雷德福、安东尼·霍普金斯等数国的数十位明星。本片荣获1978年第31届英国电影和电视艺术学院奖最佳摄影、最佳男配角、最佳原声等多项大奖与提名。
主演：德克·博加德,爱德华·福克斯,肖恩·康纳利,沃尔夫冈·普莱斯,保罗·马克斯韦尔,瑞安·奥尼尔,吉恩·哈克曼,杰拉尔·德西姆,哈特穆特·贝克尔,杰瑞米·坎普,唐纳德·皮克林,史蒂芬·摩尔,迈克尔·凯恩,迈克尔·伯恩,安东尼·霍普金斯,尼古拉斯·坎贝尔,詹姆斯·肯恩,科林·法雷尔,艾伦·阿姆斯特朗,勒克斯·范·德尔登,马克西米连·谢尔,哈迪·克鲁格,西恩·马提亚斯,丽芙·乌曼,埃利奥特·古尔德,Michael,Wolf,Tim,Beekman,Tom,van,Beek,Bertus,Botterman,Hen
导演：理查德·阿滕伯勒
简介：欧战尾声，盟军上下逐渐弥漫着乐观的情绪。为了提前结束战争，各地盟军将领认为只要一番猛攻，便可提早直捣柏林结束战争。于是轻率地将大批伞兵空投在德军营地背后，去攻占阿纳姆的那座横跨莱茵河的大桥。不料遭遇德军的顽强抵抗，盟军付出了伤亡惨重的代价。这场堪称二战中最具戏剧性的战役，终以盟军的惨痛失败而告终。由奥斯卡金像奖得奖导演理查德·阿滕伯勒执导的战争巨片《遥远的桥》，根据科尼利厄斯·瑞恩的同名小说改编而成。影片表现和讴歌了盟军在二战中浴血奋战的斗争精神，被誉为电影史上的超级战争巨片。本片的明星阵容空前强大，聚集了诸如詹姆斯·卡恩、迈克尔·凯恩、肖恩·康纳利、罗伯特·雷德福、安东尼·霍普金斯等数国的数十位明星。本片荣获1978年第31届英国电影和电视艺术学院奖最佳摄影、最佳男配角、最佳原声等多项大奖与提名。
主演：Stepan,Abramov,Filipp,Yankovskiy,茵娜·丘里科娃,阿图尔·贝沙斯特尼,Vladimir,Eryomin,丹尼斯·卡拉索夫,伊戈尔·萨沃金
导演：格里布·潘非洛夫
简介：Soldier Ivan Denisovich Shukhov was taken prisoner by the Germans, and after leaving it, he ended up in his homeland as a prisoner and he began to build a giant space industry plant. In conditions of hunger, humiliation and fear, he managed to maintain honesty and openness to the world, but will he be able to go free and meet with his daughters?
主演：柯南·何裴,王鹏凯,李雪健,蒋雯丽,李幼斌,果靖霖,小沈阳,郭飞龙,孙浩,徐僧,侯祥玲,文森特·马蒂尔
导演：王冀邢
简介：《红星照耀中国》电影剧组创作灵感及素材就取自同名报告文学——美国记者斯诺根据自身经历创作的《红星照耀中国》一书。影片主要讲述的是1936年美国青年埃德加·斯诺冒险来到中国红色革命区域的的亲历见闻，在采访和见证了毛泽东、周恩来等共产党领导人，以及红军战士和苏区百姓的风采之后，斯诺以饱含激情的生动文笔写成了《红星照耀中国》一书，该书出版后轰动世界，使全球第一次了解到了彼时艰苦抗战背景下中国共产党的真实情况。
主演：法特梅赫·莫塔梅德-阿尔娅,维达迪·阿利耶夫,Ramil,Zeynalov,Sabir,Mammadov,Farhad,Israfilov,Rahila,Mammadova,Rovshan,Aghayev,Hasan,Safarov
导演：埃尔钦·穆绍格卢
简介：老妪娜巴特和丈夫伊斯坎德尔生活在远离村庄的偏远小屋。伊斯坎德尔曾是森林巡逻队队员，现在病重在家休养。而战争肆掠此地已久，他们的儿子也在前线牺牲了。老妪家唯一的经济来源是一头奶牛，她隔些日子会去村子里卖牛奶。战争的阴云笼罩着大地，村庄渐渐人去楼空，老妪的生活也举步维艰……《娜巴特》改编自阿塞拜疆导演Elchin Musaoglu在苏联解体时期听到的一则故事，首映于2014年威尼斯电影节地平线单元。
主演：尼基塔·米哈尔科夫,欧列格·缅希科夫,弗拉德连·达维多夫
导演：尼基塔·米哈尔科夫
简介：1943 год, разгар Великой Отечественной войны. Митя (Олег Меньшиков) находит Котова (Никита Михалков) в рядах штрафного батальона стоящего у стен некоей цитадели. Котов, чтобы избежать встречи с Митей, поднимает штрафников в атаку, Митя вынужден идти под шквальный огонь противника, так как в траншею ему не дают вернуться заградотрядовцы. Котов остается невредим, а впоследствии реабилитирован и удостоен звания генерал-лейтенанта. Уцелевший Митя и Котов едут в дом, в котором когда-то жил сам комдив со своей семьей (дом, фигурирующий в первой части). Однако, Котова дома никто не ждал, так как считалось, что он был расстрелян (в соответствии с 58-ой статьей). Маруся (Виктория Толстоганова) растит ребёнка от Кирика (Владимир Ильин), а все фотографии, хоть как-то связанные с Котовым и Надей, убраны по комодам. Таким образом, своим приездом Котов нарушает покой домочадцев, и на следующий день вся семья решает уехать тайком. Комдив застает их на вокзале, но решает отпустить. Позже Сталин приказывает Котову провести сложнейшую операцию: повести в лобовую атаку тысячи неподготовленных людей для того, чтобы оборонявшиеся истратили боезапас, это дало бы возможность провести штурм цитадели с малыми потерями среди солдат. Прибывшим в окопы цитадели раздают черенки от лопат. Первым в атаку идёт Котов.
主演：役所广司,玉木宏,濑户朝香,香川照之,田中丽奈,阿部宽,椎名桔平
导演：成岛出
简介：1939年，国际局势动荡不安。由于在中国战场上受到由美国支持的国军的牵制，日本国内上下掀起阵阵反美热潮，自陆军到普通民众，无不呼吁本国与德、意缔结三国同盟，向美利坚开展。而在这股近乎癫狂的呼声背后，只有少数人能冷静认清国际局势，这其中便包括海军大臣米内光政（柄本明 饰）、海军次官山本五十六（役所広司 饰）等人。可是他们的声音被有意无意忽视，高层最终决定对美开展，而在此命运关隘，山本五十六则被任命为联合舰队司令长官。明知不可为而为之，山本策划了震惊世界并永载战争史册的珍珠港事件。一旦投入战争，抽身而退便已不是一件容易的事情。山本五十六在人生的最后时光里，见证着祖国最为惨痛的历史……